Michelle Ortner is a Graphic Designer from Downingtown,
Pennsylvania. Her knowledge also includes HTML, CSS, and photography. From 2009
to 2010 she worked as a web designer for Imagine ProCom and from 2010 to 2011
as an organizer and Office Assistant for VOTG North America. In the summer of
2012 she was the program designer for the Ludwig’s Corner Horse Show &
County Fair and from 2012 to 2013 worked at the West Chester University of
Pennsylvania Web Team as a graphic designer and photographer. Michelle also
joined the West Chester University Student Chapter of AIGA Philadelphia in
2009, becoming the Vie President in 2010 and the President in 2011. During the
Winter of 2013 she attended the Study Abroad program, “Global
Art and Culture” in Belize. In May 2013, Michelle
graduated Summa Cum Laude from West Chester University of Pennsylvania with a
Bachelor of Fine Arts, majoring in Graphic Design, and a minor in Art History.
I believe that the new West Chester University website has a great design. One of the first reasons that this site is great is that it relates to the students who use it. Before building the website the web team polled students and faculty about what they would like to see on the website. In addition to using this information to build the new site, they also used google analytics to find the most visited pages on the site, and bring them towards the front end to be easier to find. The design team also employed responsive design in order for the site to translate on any device; from a smart phone, to a tablet, to a projector. The overall design of the website is very easy to use and the links are easier to find, making the site very user friendly. In addition, the web team also added a fixed bar at the bottom of the screen that allows you to see campus announcements and sign in to any student portal used on campus.
Although Apple.com is a wildly visited site that has been praised for it's design, it unfortunately lacks in it's search engine. As this is crucial to an entire website, especially a site with as many pages as Apple.com, it severely affects it's overall design. Although you are able to search for different items, you cannot search in a specific area. For example, a customer goes on to the downloads page and wants an application specifically featuring birds. They type in "birds" into the search bar and click enter. What they receive is every page on Apple.com that contains the word "bird." There is no option available to specifically search in the downloads page, therefore forcing the customer to scroll through tons of pages looking for an application. Because of this the customer might get fed up and go to another website to search for an application. Not only does Apple.com not produce effective search results, but it ultimately leads to people leaving the website.
Gilmore D. Clarke is an american landscape architect and civil engineer. Designed for the 1964-1965 New York World's Fair in Queens, New York. It was designed by Clarke and given to the US Steel Corporation as a symbol of peace, the theme of that year's fair. Even the dedication reinforces it's symbolization, stating, "Peace Through Understanding."
The Unisphere, which is the world's largest globe structure, stands 140 feet tall and is 120 feet in diameter. Weighing over 900,000 pounds, the construction of the Unisphere had to account for uneven weight distribution by making it top heavy. The sculpture is made from stainless steel and represents Earth with three orbital rings to represent our ascent into the Space Age. It was built on a circular reflecting pool with water fountains surrounding to give the feel that the globe is floating in mid-air.
When the Unisphere was first shown at the World's Fair, it contained a few tricks to impress the crowd. Lighting was used behind the sphere during the evening to give an effect of a sunrise. Also, the capital cities on the sphere would be lit up during the duration of the Fair's two years. Today the Unisphere is still in Queens for the public to enjoy.
Verner Panton is a furniture and interior designer from Denmark. Becoming an artist in the city of Odense, Panton studied architecture during his time at the Royal Danish Academy of Art. Panton is known as one of the artists that is "enfant terrible," or an artist that can easily shock his viewers with his piece. Some of his most well-known architectural works include the collapsible house in 1955, the cardboard house in 1960, and the plastic house in 1960. Although his love for architecture was strong, Panton was mostly known for his chair designs.
During the end of the 1950s Panton began designing chairs that were much different than anyone had seen before. They had no "legs" or a "back" that everyone was so used to. He also began using a material to create his chairs that had not been used before. Panton was the first designer of a single form injection-molded plastic chair. His most famous design from these is the Stacking Chair. Also known as S Chair, this piece is made from plastic and contains curves to suggest the familiarities of a regular chair. The seat is all one piece, starting from the "back" and slopes into the seat, curving down and backwards towards the "leg." The entire design feels as if it is one flowing object that, although not found in nature, feels natural and organic. The beautiful curves of the chair not only provide comfort, but also allow the chair to form a sensual shape.
Christian Dior, a French fashion designer, holds the highest designs in the world today. After being born and living in Normandy, France for ten years, Dior and his family decided to move to Paris. Here Dior studied political science and served in the military. In 1935 he moved back to Paris and sold his design sketches. After seeing his work, designer Robert Piguet hired Dior in 1938, but only two years later he was called again into service for the military. After leaving the military in 1941, Dior began to work for Lucien Lelong and in 1946 textile manufacturer Marcel Boussac helped him open his own house. From then on Dior would shape French fashion forever. Each of his collections contained a theme that would demonstrate exactly how the collection would look and fit on women. For example, one collection called "Carolle," or "figure eight," had pieces to show off a broad shoulder and hips with a small waist, as the name suggests. The most influential collection that Dior did, however, was his very first.
His career, officially began all the way back to 1947 with his launch of his collection the "New Look." The components of his eices in the collection included round shoulders, cinched waists, and a full skirt. The look was made to invoke a new outlook as well as a look after many years of wearing military and constricting uniforms. His looks helped women celebrate their femininity with high fashion. I love the idea that Dior put into this collection. He really turned a time where sternness was the main proponent to an era of femininity.
One of Isamu Noguchi’s most amazing works
is only 45 minutes from where we live. In 1933 Noguchi exhibited some of his
work in the Fairmount Park Art Association’s first Sculpture International
exhibition, including his design for this sculpture, a memorial to Benjamin
Franklin. It wasn’t until his exhibition in 1979 at the Philadelphia Museum of
Art that his design resurfaced and the Art Association decided to commission
the sculpture. In celebration of Philadelphia’s tricentennial, Noguchi selected
to place the sculpture in Monument Plaza. The sculpture retells the story of
Benjamin Franklin and his infamous kite. The sculpture consists of a large key,
a lightening bolt, and a kite. The key is supported by four steel base supports
to help stabilize the entire sculpture. The lightning bolt, which is 45 feet
high, is stainless steel plates that form an irregular lightning bolt shape. A
tubular steel structure extends up from the bolt 23 feet where the kite sits
atop. The structure then has more support with four steel guy cables to further
balance it out. Noguchi included the cables in his drawings to symbolize
contact between air and earth.
I went to visit this sculpture and was amazed by it’s sheer size and characteristics. The ratio of the key is larger than both the lightning bolt and kite, yet it seems to give you the feeling that it is correct and you are looking at the kite in the far distance. Being in such close proximity to West Chester, I recommend everyone take time to check out this piece.
Eero Saarinen was a Finnish American architect from the 20th century that produced various forms of art, while always adding his unique style. I
was very surprised to look him up to learn more about him and find that he did one of the
most magnificent monuments in the United States. “The Gateway Arch,” also known
as “Gateway to the West,” was a submission by Saarinen after the Jefferson
National Expansion Memorial Administration (JMENA) held a competition from 1945
to 1948 to create a monument in St. Louis, Missouri, in order to revive their
riverfront and stimulate the economy and become the centerpiece of the
Jefferson National Expansion Memorial.
The arch, which is exactly 630 feet high and wide, stands exactly at the place where St. Louis was founded. The structure’s legs are equilateral triangles that narrow from 54 feet to 17 feet. The walls are stainless steel covering two carbon-steel walls and reinforced concrete to 300 feet and carbon steel to the peek. The top of the arch is hallow so to be used as an observation deck with many windows overlooking the city. The building is also designed in such an mathematical way that it is earthquake proof, can sway nine inches in either direction, and can stand up to 150 miles per hour winds. This building is not only the symbol for St. Louis, but is also the tallest man-made monument in the United Sates, Missouri’s tallest accessible building, and the largest architectural structure design as a catenary arch. I think it is amazing that Saarinen created such a momentous monument that really captures the essence of St. Louis.
Alvar Aalto was a Finnish architect and designer who worked in architecture, furniture, textiles, and glassware. A designer of Modernism, Aalto used a humanistic approach to his works. From 1916 to 1921 he studied architecture at the Helsinki University of Technology and opened an office in 1923. Apart from being a leader of Modernism, he was also a member of the Congress Internationaux d'Architecture Modern. He created many architectural works such as Finlandia Hall and the campus of Helsinki University of Technology.
Although Aalto was amazing with architecture, his real skill occurred in his glassware designs. His Aalto Vase being one in particular that is quite astounding. Also known as the "Savoy Vase" this glass vase consists of waves and turns that seems to represent an organic form, although it seems a bit controlled. Being blown out of glass, this vase is old and reproduced in many different colors. It was first created for a competition for the Karhula-littala glassworks factory in 1936 (being inspired by a Sami woman's dress) and later exhibited in the 1937 World's Fair in Paris. Today this vase is sold and reproduced in many different colors and sizes.